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U glavnoj ulozi:
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Nisam bio siguran da �e� do�i.
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Nisam hteo da tvoja bela bra�a
pomisle da si ti najbolje �to imamo.
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|Bulgarian subtitles Windtalkers||3 years ago|
|Spanish subtitles Windtalkers||3 years ago|
|Chinese subtitles Windtalkers||3 years ago|
|Greek subtitles Windtalkers||3 years ago|
|Indonesian subtitles Windtalkers||3 years ago|
|Chinese subtitles Windtalkers||3 years ago|
|Brazilian Portuguese subtitles Windtalkers||3 years ago|
|English subtitles Windtalkers||3 years ago|
|Dutch subtitles Windtalkers||3 years ago|
The most realistic war movie ever made
3/10 I learned a lot about World War II from this film. First of all, during this war it was a custom of both the Japanese and Americans to scream every time you shoot or get shot (even with about 30 bullets in your chest you can still scream apparently). Secondly, Japanese soldiers do not like cover. They like to stay out in the open, and will not fire their rifles unless they're within 15 feet of American soldiers. Thirdly, one man with a Thompson sub-machine gun can take out an entire regiment of Japanese soldiers in an afternoon.3 years ago
This film was completely first rate, start to finish. From the soldiers who flail about wildly as entire belts of machine gun ammo are pumped into them (before they drop to the ground mind you), to the 12 soldiers that Nicholas Cage shoots with a handgun while laying on his back wounded in the space of about 15 seconds, this film just screamed realism and authenticity. Highly recommended to history buffs and people who can appreciate some of the best acting ever put on film.
Hot Air 1/10
1/10 Warning: SPOILERS3 years ago
If you live in the UK, a good guide to the quality of any movie is the review it gets in the best-selling 'News of The World' Sunday paper. Because the NoW's critical faculties are arguably less than those of an ant, a good review equals lousy movie; bad review: probably worth seeing. On which basis, the endorsement `One of the best war movies of all time -- News of the World' that features on the cover of the UK DVD Collector's Edition says it all: here indeed is one of the worst war movies of all time.
Quite why it should've been so is mystifying, for in the subject of the Navajo code talkers there's a genuinely interesting story: how they were recruited, the dilemmas they faced in signing up to war, the problems of integration, the heroism they showed and the regrettable secrecy that for so long obscured the nature of their contribution. . . in the hands of half-way proficient moviemakers, the code talkers' tale would've made for first class cinema.
Instead we get 129 tedious minutes of pyrotechnic mayhem, and a plot so ludicrous it's astonishing it even survived first pitch: that a codetalker has to be 'protected' by a guardian angel lest he fall into the hands of the enemy. Oh really?
The premise might've had some passing credibility had director Woo understood that remaking 'War and Peace' was not, in this instance, A Good Idea. But no: Woo moves remorselessly from one major league set-piece to another, in every one of which bombs, bullets, bayonets and shells rain down upon the unfortunate Navajo from left, right, behind, in front and above (thus making Nicolas Cage's advice to `make sure you follow my ass if you want to stay alive' one of the transparently daftest script lines of recent memory).
Far from taking care of the windtalker / codetalker, the US Army ensures - in this movie at least - that he has a survivability prospect of thirty seconds. Still, he is assisted by Cage, whose uncanny ability to survive veritable hails of gunfire is in inverse proportion to his ability to act: you'd have thought 'Captain Correlli's Mandolin' would've been disaster enough but no, Cage goes for broke in this one, distraught, depressed, dysfunctional, and alarmingly indiscriminating when it comes to shooting people (his own, and the enemy).
The good news though is that he doesn't get to play a musical instrument.
Two sequences do, however, stand out in this turgid mess. In the first, Cage allows himself to be captured by the enemy whilst pretending to be a prisoner of his Navajo charge, this sleight of hand being accomplished thanks to the fact that Adam Beach (who plays the Navajo) looks, er, Japanese.
Woo seems not to have noted that Beach doesn't even look like a Navajo, let alone a Japanese, but then, nor does the enemy, which for reasons known only to writers John Rice and Joe Batteer decides in this screenplay to implement a policy of actually taking prisoners instead of shooting all Americans on sight.
But perhaps they guessed it was Nicolas Cage.
In the second sequence, Cage rolls drunkenly around a battlefield graveyard, weeping for the souls of all the men who were killed when he was single-handedly taking the Solomon Islands at the start of the movie. (Seeing as they were spared from the rest of 'Windtalkers', it's not at all clear why anyone should feel sorry for them). Anyway, Cage rolls around, and the non-Navajo non-Japanese lookalike Beach comes to his aid. . . and brushes against a cardboard cross which promptly falls over.
Yup. That's how they did it during the war. Buried each individual soldier under a highly photogenic if insubstantial cardboard cross. And never mind the tropical rainstorms.
Still, at least it's consistent: cardboard plot, cardboard direction, cardboard acting.
VERDICT: Depressingly inept; a missed opportunity -- considering the nature of the source material -- and, sadly, yet another question mark over John Woo's career.
6/10 I thought this was a film about Navajo code talkers. Well, it's not.3 years ago
While there are a couple of Navajos in the film, the story revolves
around Nicolas Cage winning WWII all by himself. This guy's incredible
and makes John Wayne look like a wimp. Every time the Marines are in
trouble, up jumps good old Nicolas Cage with his Thompson and POOF! the
battle is WON! I wonder how we won WWII without Nicolas Cage? The film
has a LOT of combat footage and most of that is very well done. That
alone is worth a watch but don't expect to learn much of anything about
the Navajo code talkers. You should read about them, because theirs was
an important part of history, but they're a minor part in this film. I
gave it a 6, only because of the good combat footage.
Great action sequences but little emphasis on story
7/10 When watching the trailer of Windtalkers, one gets the impression that this film is about the Navajo indians and how their native language was used to create a code that could not be broken by the Japanese. However, it turns out that this film is really about a white army seargeant (Nicolas Cage) and how he eventually befriends the codetalker (Adam Beach) that he is responsible for protecting.3 years ago
Director John Woo doesn't disappoint with the action sequences. All of them are breathtaking and highly detailed. However, all of this action tends to take away the emphasis on the story. No matter, the scenes that show the developing friendship between the two seargeants (Cage and Christian Slater) and the codetalkers (Beach and Roger Willie) gives Windtalkers its heart. (7/10)
The Director's Cut is an improvement
8/10 I just watched the director's cut on DVD after having seen the theatrical cut some time ago.3 years ago
Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.
A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.
Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.
I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.
Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.
I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.
If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.
My ratings: 6/10 for the original cut. 8/10 for the director's cut.