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Μήπως έχεις ξεχάσει κάτι;
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Κάτι στο τρίτο ολοκλήρωμα.
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Όχι αυτό. Απόψε.
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- Τι ώρα είναι;
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Interesting but flawed
8/10 Since Herbert George Wells(1866-1946)' "The Time Machine" happens to be one of my favorite novels I was interested in this film mainly to see how the old man's great-grandson would handle his legacy.This film left me with mixed feelings.Many good points and many bad ones.2 years ago
The Good:I truly enjoyed the 19th centurie scenes with Alexander and Emma.Her tragic death and Alexander's wish to change it provides our Time Traveler with serious motivation that he seemed to luck in the book.His obsession with his work is another good point.When you turn all your efforts towards one point then it is more probable that you will achieve your goals.The scenes while the machine is operating are visualy beautiful.Alexander as a "wandering fool" and his amazement at the 21st centurie achievements are well done.The Uber-Morlock was quite impressive, his seing the memories, dreams and nightmares of others seem to have left him with a lot of wisdom.His lack of emotions in a matter of survival for himself and his race is understandable.Why should he be shocked?Humanity has fed on flesh for milenia.We knowed and we don't get shocked by it.Why should he be?He actualy seems evolved rather than devolved as the other Morlocks.
The Bad:In the original novel humanity supposedly reached a golden age.The upper-class used the lower-class to achiebe its dream.A life with no worries.The upper-class lived in magnificent towers while the lower class was forced to live below the earth, in tunnels.As time went on the upper-class evolved to the Eloi living in a paradise.Childlike in appearance and in nature.Their luck of problems left them with no need to studie and eventualy all the wisdom of their founders was lost.They were left using achievements they couldn't understand and couldn't maintaine.The lower-class evolved into the Morlocks.Forgotten by the Eloi they were left to feed on each other and eventualy reached the surface and started feeding on the Eloi.Both races were devolved when the Time Traveler arrived.The only person from this time he actualy likes was Weena a young Eloi girl he saved who grew attached to him.In the novel they wander around studying the state of decline the human races had reached.
Unfortunately all this history of the two races is lost in this movie.The plot about the Moon falling was rather ridiculous and hardly explained the evolution of the two races.The Eloi of the film are much more inteligent than those in the movie but nothing interesting is truly done with them.I was hoping to see Alexander trying to teach his new roomates some of his wisdom.But nothing like this happens.Why would Alexander be interested in those two races isn't explained.Why would he pass two chances to return to his time isn't expained at all.What gives him the right to kill the Morlocks is left equaly unexplained.The "Happy" ending leaves him living in a time that shouldn't held any interest for a science-loving man.Nothing to explore or study.After his experience with time travel I don't think he would just be content left in one or the other point of the time stream.Rather unfortunate progress.
It could have been a classic if only the finale didn't resemble stupid adventure movies rather than the original novel or any other piece of fiction with an actual interest in the concept of time traveling.Alas the Wells family seems to be devolving too.
GOOD, ENTERTAINING FUN - but the 1960 Version is Still Tops
8/10 This version of the H.G. Wells classic is quite different from the wonderful 1960 movie starring Rod Taylor. As such, it remains entertaining but is rather more superficial. Nonetheless, I enjoyed it. This one is set in Manhattan instead of London, and the Wintry scenes of New York a century ago were nicely done.2 years ago
Instead of bemoaning the current dismal state of the world as in the 1960 version, our current hero, well-played by Guy Pearce, seeks to go back in time to prevent the untimely death of his beloved fiance. When he discovers this is impossible, he seeks resolution in the future. The special effects of course are good as he moves into that future, although the Geologic changes depicted could never have occurred in less than tens of millions of years.
In the future, 800,000 from his present, following a calamity involving the destruction of much of the moon that nearly destroyed Earth (that in lieu of the nuclear holocaust in the 1960 version) he discovers the Eloi, now cliff-dwellers, who are indeed still there, although now instead of looking like blonde blue-eyed Aryans they are a nice Politically Correct cafe au lait color. Curiously, there seems to have been no change or improvement in this species despite those 800,000 years - evolution has apparently ceased. But that was how it was with the 1960 film; in fact, this type of Eloi is more intelligent and active-minded than the nearly brain-dulled zombies Rod Taylor discovered. They must have been more intelligent as they somehow got the steel handcuffs off our hero that had been placed there in the earlier scene in the past.
This version is far kinder to the Eloi: our hero never feels rage at how they squandered the knowledge and history of civilization. Yes, books have crumbled, but there is a photonic human-like computer device, a remnant of the New York Public Library which contains every shred of information ever collected. How its power source remains up and running in a Stone Age world is never explained. "Self-contained power", perhaps?!
The evil Morlocks are still around, and have evolved, but instead of menacingly appearing at night, or sounding sirens resulting in the Eloi marching catatonic and transfixed to their cannibalistic doom, the Morlocks now attack in broad daylight - and they are very muscular and athletic. In fact, we discover that those are just one type of Morlock - others include those who have emphasized their intellectual development instead of brawn, and Jeremy Irons does a great job as the spooky albino-like head Morlock, the "uber-Morlock". The scary hidden menace of night, in the Taylor version, in the world of the Eloi is missing from this film, unfortunately.
Our hero's final battle was quite different from the other versions, and featured an altering of the future/present I still don't entirely understand. But it was compelling and dramatic.
I missed the thoughtful tone of the 1960 film in which Taylor (as "George") discussed Time as a Fourth Dimension, and had a close relationship over the years with his friend Filby, and later his son. The scenes where he stopped his Time Machine inside his old boarded up house seventeen years into the future are, regretably, gone - too slow for today's audience, as perceived by the producers. It all created for me a nostalgic even elegiacal emotion I missed in this movie. The end scene where Taylor returned to bring back "three books" for his life with the Eloi is not in the 2002 film.
The well-known symbolism in the Wells' book, and somewhat in the 1960 version, of an Upper Class feeding off the labor of the Working Class, cannot be seen at all in this current movie. That despite it being ably directed, at least in part, by his great-grandson, Simon Wells.
The performances are generally quite good. Besides the wonderful Mr Irons, Guy Pearce is excellent as Alexander Hartdgen. Samantha Mumba is credible as the the replacement for Yvette Mimieux's Weena - now called Mara. Her actual younger brother plays her film sibling. Although she is an Irish singer, she is also half African, thus satisfying the PC need for the correct complexion. Mark Addy is limited by the script as Filby; in the 1960 version Alan Young was wonderful in that role.
Scenery, sets, art direction, and special effects are all quite good.
This film was entertaining and enjoyable. I just wish it had also been also as thought-provoking for me as the 1960 Rod Taylor version had been. I know comparisons can be invidious, but they can't be helped when remaking a classic. Nonetheless, worth seeing.
90 minutes of pure fun
5/10 Judging from the initial reaction to THE TIME MACHINE, it seemed official to me that people have forgotten how to have a good time at the theaters these days. But the surprising box office performance in the week following its release seems to now suggest otherwise.2 years ago
This is a really fun movie. It's a tad slow at first, but since it's only a
short 96 minutes, things get going pretty quick. Guy Pearce is well-cast as the slightly-nerdy mathmetician, Alexander Hartdegen, and the special effects were very well-done (some were shown unfinished in the trailer and in the TV spots, so don't let that deter you.) Two of the best sequences are the two forward-traveling sequences, the first when Pearce begins his journey into the future, with the change from Victorian era to the future flashing by before us during a terrific pull back from the time machine all the way out of Earth's orbit and around to the far side of the moon, where a
ship is coming in for a landing on a colony. The second is when Alexander is knocked unconscious by an explosion tremor in the distant future, when explosives mining on the moon have knocked it from its orbit and have caused it to come apart, showering the Earth with moonrocks, and the time machine speeds forward into the very distant future. It's a terrific sequence in which we see the geological evolution of the area in a matter of moments, from cliffside rock formations taking shape to environmental changes and everything in between. A truely awe-inspiring moment that is one of ILM's finest effects sequences.
I also liked how they kept a lot of elements from the original: good friend Mr. Philby, the spider making a web at the top of Alex's greenhouse, the constantly-changing store window mannequin that appears in the building across from Alex's house, the stop at one point in the future to discover that a disastrous incident is occuring (nuclear war in the original, the moonrock shower in this version), and the entrance to the Morlock's underground lair. Even the "talking rings" in the original are sort of brought back, though this time in the form of a holographic New York City public library computer (Orlando Jones), whom Alex first encounters in 2030 and again later in the film, set nearly 800,000 years later. The Eloi this time around are not all blonde and lifeless. In the original, they calmly walk into the Morlock's lair when the horns sound. Here, they run fearing
for the lives when the Morlocks come to hunt. And the Morlock's are no longer the lumbering bodybuilders with green body paint and white fright wigs. Here they are taller, more-muscular deadly creatures with an animal-like ferocity, with incredible physical abilities and capable of fast speeds.
I think this movie is a good example of what remakes should be. Keeping the concept and elements of the original, while bringing to the material something new. Pearce, as I said, is well-cast as the time traveler, who builds the machine first out of his desire to right a tragedy in his past, then ends up traveling into the future. Samantha Mumba does a fine job in her first feature film role. I'm not too fond of singers who try to make the move to acting (witness the debacles of Britney Spears, Mariah Carey, and countless rappers), but Mumba was pretty good. I have a feeling we'll be seeing her more in the near future. Jeremy Irons' role was too brief, though. Being the Uber-Morlock, I was hoping for more screen time, as well as a lengthier confrontation. But he was still good. If I didn't know it was him, I never would have guessed it. Much to my surprise, his performance is a very restrained one, never exploding into one of those bursting, over-the-top speeches about wanting to overtake the planet. I was also expecting him to attempt to use the time machine to travel back to the past and take control in a time when there were more resources, but that idea (again, much to my surprise and delight) never even comes up. He seemed pretty content just doing things in the time he was in. Still, I would have liked for him to had more screen time.
I was also very impressed with the score by newcomer Klaus Badelt, who has worked mostly in association with composer Hans Zimmer, providing "Additional Music" from films liked HANNIBAL and GLADIATOR. His score here is full of action and emotion, with a heroic main theme and a really nice African tribe-like sound for the Eloi. I look forward to the release of the soundtrack, and I'll be keeping a watch for his future projects. He sounds very promising.
My only real complaint is that it all goes by too fast. A full two hours would have been great.
In comparison between this one and the original film, I suppose some people would say it lacks the charm of the first. The original, despite some dated effects, is still a good movie, with the always-reliable Rod Taylor. I grew up with it on video, so I consider it a childhood favorite. But I also enjoyed this version for the fun-filled action-packed piece of entertainment that it is.
We 4 hard critics actually liked this film! Great music, and more...
5/10 The four of us are in the 40 - 50 age range, and we are fairly tough what we like and do not like in films. It was Friday night and we wanted entertainment. We read the comments below - mostly, but not all negative - and decided to take a gamble. Arriving at the cinema, we were prepared for a bad movie but hoping for 'a good relaxing time'.2 years ago
Well, we *did* like this film! Not a top box office smash or even an 8 out of 10, but entertaining nevertheless. The MUSIC was superb. ACTING was fine. HISTORIC life portrayed in old Cambridge Massachusetts was realistic - even the snow and cold weather was real. The ROMANCE was acceptable. The STORY, while not closely following H G Well, was good enough. The SPECIAL EFFECTS were very good indeed.
It is worth a gamble, to see this film. But go with a light heart and an acceptable frame of mind, and keep your expectations below that of a 10 out of 10 film.
How life must have changed for actor Alan Young during forty two years!
5/10 THE TIME MACHINE which I first saw at its London premiere in 1960 has long remained a personal favorite of mine. I bought the film 17 years ago and my own children grew up with it during the many times we have watched it since. It had a distinct charm and news of its impending remake was of no interest to me...another un-reworkable film if ever there was going to be one! I had no interest in its existence and even less inclination to see it. Dragged, protesting to the theater recently by my daughter who had already seen it and who, under the insane belief that I would enjoy it, strapped me into the seat! Raving incoherently and fully intending to dislike each and every frame, I watched what I expected to be my greatest nightmare since SPEED 2.2 years ago
Well girls and guys...I was so wrong! The remake not only captures and enhances the memory and feel of the original in many ways, it is vastly better! Pearce, who improves mightily as the film progresses (his early wimpy appearance telegraphed danger as far as I was concerned!) is just plain excellent as the slightly unhinged designer. The time machine itself (understandably, with today's fx potential) creams Rod Taylor's 1960 mini-umbrella! Mark Addy makes a great "Philby" very much in the style of Alan Young's original characterisation. Nice touch too, having him cameo here as the florist! For him of course, he has experienced his own "time machine" in the 42 intervening years!
"One hit wonder" Samantha Mumba is an acting natural and as the Eloi girl, hits exactly the right note called for in the role. Both she and her younger brother Omero contribute greatly to the film's success. Everything about this film is visually impressive. Wonderfully imaginative sets and masterful cinematography. Jeremy Irons' small but significant role comes off well too!
I read complaints about the Morlock make-up? Hello? any of you ever SEEN a Morlock? No??? well then, kindly refrain from negative comment. These guys looked and moved way better than the little furry 1960 creations! I liked also the intent NOT to have Pearce able to reverse the death of his fiancee - that was heightened awareness on someone's part!
Add to the above a superb musical score and if this doesn't all make for an entertaining and thought provoking film, hey guys, you're hard to please. Certainly this was never intended for THE FAST AND THE FURIOUS set! It is inarguably the best remake I have ever seen and one of only a few have that ever managed to improve on the original!