|English subtitles Hairspray||2 years ago|
|Norwegian subtitles Hairspray||2 years ago|
|Chinese subtitles Hairspray||3 years ago|
|Slovenian subtitles Hairspray||3 years ago|
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|Dutch subtitles Hairspray||3 years ago|
|Croatian subtitles Hairspray||3 years ago|
|Brazilian Portuguese subtitles Hairspray||3 years ago|
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|Arabic subtitles Hairspray||3 years ago|
9/10 As a fan of the stage musical, I was worried that the film might not measure up - but they hit this one out of the ballpark! Bright, bouncy and joyously hilarious! A big smile hit my face as soon as it started and I didn't stop grinning until the end of the credits.2 years ago
I haven't heard a press screening audience applaud after musical numbers since "Chicago" - and they cheered! The huge cast is uniformly terrific. Travolta, Pfeiffer and Walken are a hoot and Nikki Blonsky couldn't be more perfect.
The performances, script, lyrics, sight gags and costumes wage an all-out assault on your funny bone. Even the set dressing gets laughs!
This is the movie musical that Grease, Rent and Dreamgirls should have been.
Viciously satirical, deeply irreverent and wonderfully fun!
8/10 Had it not been for a free pass to an advance screening, I must admit that my friends would have had trouble getting me to see 'Hairspray.' I don't mind musicals but 'Hairspray' didn't seem like something I'd enjoy. Not for the first time in my life was I wrong.2 years ago
'Hairpsray' is about tolerance, integration and acceptance of others. The film uses the racial divide between blacks and whites but the subtext of the film is Heterosexuals and Homosexuals. 'Hairspray' viciously lampoons bigots and reserves specific devastation for Ultra-conservative religious zealots, figures of authority and WASPs. The satire is white hot (Alison Janney steals every scene she is in), the music catchy, the movie's spirit is irreverent.
I had no problems with the cast and their performances. John Travolta isn't bad and when he gets his chances to dance he's great fun. Christopher Walken and Travolta have a song and dance number duet that rates among the best moments of the film and isn't to be missed. Queen Latifah adds some dignity and balance while Michelle Pfeiffer plays a terrific screen villainess. Amanda Bynes has few lines to deliver but gives perfect comic deadpan when she does for excellent comic effect. Keep a sharp eye out for the hilarious John Waters cameo during the opening number.
Of recent major movie musicals, this is easily better than 'The Producers,' (better comedy and music) and last year's 'Dreamgirls' (weaker songs but better pacing and strong beyond the first half). Although it doesn't have the star power or scale, I also prefer it to 'Chicago' -- 'Hairspray' takes itself less seriously and not many movies have me laughing and smiling from start to finish. If you're looking for a little pure counter-culture escapist fun, 'Hairpsray' is your movie.
The Ultimate Feel Good Film!
10/10 I just saw Hairspray the movie at the 5th Avenue Theater in Seattle--the same theater where Hairspray the musical premiered five years ago. It could be that I am just dizzied by the dashing good looks of Zac Efron, but the magic that was produced on stage by the original Hairspray cast has transfered flawlessly to the big screen.2 years ago
I couldn't have asked for more. Nikki Blonsky premiered beautifully as the spunky and voluptuous Tracy Turnblad. John Travolta delivered. Christopher Walken was charming and hilarious. Queen Latifah was "big, black, and beautiful." Michelle Pfeiffer--perfectly obnoxious...the list goes on.
The candy colored costumes and thrilling choreography were so enjoyable, and even the more serious parts of the film (though there are very few!) were touching and sincere.
The only thing I wished had been included was the song "Mama I'm a Big Girl Now." While it would have been a great addition, other big song and dance numbers carried the film along just fine.
I caught myself smiling like a buffoon more than once. A must see for musical lovers--or anyone who just likes to have a good time.
8/10 Not that I'm surprised that I liked it but yes that I liked it as much as I did. Keeping some of the lovely John Water garishness but mainstreaming it enough to make it mainstream. John Travolta in the Divine part is truly divine. He went for it and played it for real. I thought it was actually moving at times and the illusion works, beautifully. Michelle Pfeiffer opening a new chapter in her career, the thin as a rail, gorgeous, middle age bitch. Great fun to watch. Christopher Walken, adorable. I had hoped a bigger splash of a dance number between Travolta and Walken - after all they were playing husband and wife in a musical and when are we going to see that again. Their moments together are, how can I put it? Nice, very nice. Nikki Blonsky inherits Riki Lake's oversize heroine with gusto and lots of energy. Allison Jenney, as usual, steals every moment she's in. Alas, far too few, and John Waters plays a quick cameo as a Baltimore flasher. What else do you want out of life.2 years ago
Brings Joy to Summer....
10/10 So far I've seen this movie twice and both times the audience was involved 100%. "Hairspray: The Musical" is the definition of a feel good movie.2 years ago
The storyline has been tweeked a bit from the original film. Whereas the original film had Sonny Bono's Franklin Von Tussle as the main antagonist, this one has Velma Von Tussle (Michelle Phieffer) as the head adversary; now seen as the station manager for the TV station airing The Corny Collins Show. Velma's goal is to ensure that her daughter, Amber stays Miss Hairspray in the face of the rising success of Tracy Turnblad (played wonderfully by Nikki Blonsky).
The musical numbers are fantastic, and while there's less of an emphasis on the dancing which was a big part of the original film, it doesn't detract from the wonder of the musical sequences.
Other differences is the take on the individual characters. Whereas Ricki Lake's Tracy was brash and confident, Blonsky's Tracy is more subdued. John Travolta, as Edna gives the character the sensitivity that wasn't evident in Divine's portrayal.
Although still done in connection with John Waters, it does lack Waters edginess, making an already mainstream Waters film even more mainstream for family audiences. However, the cast and the direction more than makes up for this.