Search movies

Typing something do you want to search. Exam: Movie Name, Actor, Release Year, Director...
if you want to find exactly, Please input keywords with double-quote or using multi keywords. Exam: "Keyword 1" "Keyword 2"

Daybreakers

Daybreakers

Genders: Thriller, Sci-Fi, Action, Horror, Drama

Director: Michael Spierig, Peter Spierig

Writer: Michael Spierig, Peter Spierig

Actors: Ethan Hawke, Willem Dafoe, Sam Neill, Harriet Minto-Day

Year: 2010
Run time: 1h 38min
IMDB score: 6.4
Updated: 2 years ago

Movie infomation

Movie name: Daybreakers

Genders: Thriller, Sci-Fi, Action, Horror, Drama

Imdb Score: 6.4

Runtime: 1h 38min

Released: 08 Jan 2010

Director: Michael Spierig, Peter Spierig

Writer: Michael Spierig, Peter Spierig

Actors: Ethan Hawke, Willem Dafoe, Sam Neill, Harriet Minto-Day

Box Office: $30.0M

Company: Lionsgate

OfficialWebsite

Imdb Link

Daybreakers Available Subtitles

Greek subtitles Daybreakers2 years ago
Greek subtitles Daybreakers2 years ago
Greek subtitles Daybreakers2 years ago
Greek subtitles Daybreakers2 years ago
English subtitles Daybreakers4 years ago
English subtitles Daybreakers4 years ago
English subtitles Daybreakers4 years ago
Arabic subtitles Daybreakers4 years ago
Spanish subtitles Daybreakers4 years ago
Spanish subtitles Daybreakers4 years ago
French subtitles Daybreakers4 years ago
Chinese subtitles Daybreakers4 years ago
Chinese subtitles Daybreakers4 years ago
Turkish subtitles Daybreakers4 years ago
Turkish subtitles Daybreakers4 years ago
Greek subtitles Daybreakers4 years ago
Serbian subtitles Daybreakers4 years ago
Brazilian Portuguese subtitles Daybreakers4 years ago
Dutch subtitles Daybreakers4 years ago
Romanian subtitles Daybreakers4 years ago

Trailer


Review

A strong premise that regrettably becomes pointless.

5/10 A vampiric corporation sets out to capture and farm the remaining humans while researching a blood substitute.

Daybreakers has a captivating promising start, the is year 2019, a plague has transformed almost every human into vampires.

Directors Michael Spierig and Peter Spierig gives the viewer an awe-inspiring vision of the future, the cityscape is amazing. It's also packed with excellent make up effects and nicely executed CGI. The film reflects some great parallels of today's social structure and struggles.

Sam Neill is the perfect vampire leader and Ethan Hawke is good as the trouble vampire who feels pity on the remaining humans.

However, sadly the film takes a turn for the worse when the usually excellent veteran actor Willem Dafoe turns up. From then on the film stumbles until the end credits as it stomps on the great idea's and visuals that came before, with bad dialogue and corny premises. Once the action moves from the city to countryside it's as if the producers turned a switch to- 'bad', with echoes of John Carpenters Vampires (1998).

An engaging strong intellectual start, regrettably becomes a pointless unoriginal drip by the end.

4 years ago

Bloody Good time

9/10 No creature in the history of film has been represented more than vampires. Hundreds and hundreds of films dating back as far as 1909's Vampire of the Coast have explored the undead that sprout fangs that walk among us at night. Over the past years, vampire film and television production has gone into high gear. From Twilight to The Vampire Diaries to True Blood, if you are looking for bloodsuckers, you don't have to search very far. The challenge most writers and filmmakers are faced with therefore is making a vampire film seem fresh and inventive.

The Blade series did a good job in the 1990's pitting vampire against vampire. 30 Days of Night was genius in having the vampires travel to the one place on earth where the sun doesn't appear for months at a time. And Let The Right One In was a foreign gem that surely ranks as one of the genres best.

But writer/directors Michael and Peter Spierig (The Undead) had a new idea. What if in the future the world is dominated by vampires instead of humans. And what if, with so few humans left, the blood supply that vampires need to survive becomes scarce.

Enter, Daybreakers, the new film by the Spierig brothers that stars Willem Dafoe, Sam Neill and Ethan Hawke. Daybreakers takes place in the year 2019. The world is not all that different from what it is now. People still drive cars and go to work. There are businessmen, policemen and even homeless (with signs around their neck asking for people to donate blood). What is different is that all these professions and people are vampires. Humans are in short supply and when captured, they are harvested for their blood. Humans are so scarce in fact that they account for less than 5% of the population and the blood supply that vampires need to survive has less than a months left in reserve. If a vampire begins to starve he turns into a hideous creature. A monster that cannot reason or communicate and preys on humans and vampires alike.

Scientists are hard at work trying to find a synthetic blood or solution to their problem. Lead by Edward (Ethan Hawke), the team is on the brink of solving the international shortage. Edward is a conflicted vampire. As both a scientist and a human sympathizer, Edward wishes for the simpler times long before the vampire outbreak.

By chance, Edward crosses paths with a group of fleeing humans lead by Audrey Bennett (Claudia Karvan). After Edward helps them escape their vampire stalkers, Audrey introduces him to Elvis (Williem Dafoe) – a former vampire that has miraculously converted back to human.

Just how Elvis was able to adapt back to human form takes about a quarter of the film wherein Edward works with Elvis to understand and then to do a vampire trial on the process found successful.

All the while, the vampire police, army and the conglomerate lead by Charles Bromley (Sam Neill) that wants to harvest the humans are quickly in toe with only daylight stopping them from their ultimate goal.

Daybreakers was good, intelligent fun with blood splatter and jump-out-of-your-seat moments that are lacking in horror films today. The Spierig brothers have done an exceptional job of taking the conventional vampire film and turning it into something new and fresh. They have plenty of moments where they go for the jugular, but if you were to take their story and replace human blood with oil, you can argue it is a social commentary on how humans would react when cut off their most valued resource.

Plenty of action – including some cool car chase scenes – and at least 10 jump-out-of-your-seat moments, Daybreakers delivers on bringing a bloody good story packed with severed limbs, chopped off heads and (of course) the burning of vampire skin when exposed to sunlight.

Those horror conventions aside, Daybreakers brings air to the deflated genre and keeps the Spierig brothers as two to watch in the upcoming years.

4 years ago

Could have been a genre-defining one, but still good...

7/10 Saw 'Daybreakers' at Piccadilly today. Been curious ever since i saw the trailers and being an Ethan Hawke fan decided to check it out anyway. The film started out on a bloody brilliant note. The scenes conveying the near-extinction of the human race and how the vampires are taking over and how the vampires themselves are threatened by the blood shortage issue was done rather effectively and the audience seemed to love it. There is a sense of foreboding throughout the film which can be expected in the genre, but nevertheless is very vital to it as most films fall short here. Daybreakers is not your typical cliche-ridden vampire horror. There has obviously been some sensible writing involved here. But towards the end the screenwriter tends to lose his grip and throws in some regular scenes just for the sake of cheap thrills and gore. This for me did take a bit away from the essence of the film especially considering the rest of the film was great,

But nevertheless I would recommend this film, as there is much to be enjoyed. The cinematography and colour combos and contrasts have been created masterfully. Even most of the cgi seems credible enough. Ethan Hawke is his usual intense self and Sam Neil re-surfaces into the mainstream with a Batman-sounding villain character. But its William Defoe as one of "the folks with the cross-bows" who gets the best lines in the film. Sample this- " a human in a world of vampires is about as safe as barebacking a five dollar whore!"

Could have been a great vampire flick, a genre defining one, but is reduced to merely a good one. But that isn't too bad considering the amount of vampire dung we were dished out for the entirety of 09. This one is the best of the lot! Cheers

4 years ago

Vampire sci-fi action adventure with groundbreaking effects

9/10 I attended the World Premiere of "Daybreakers" at the 2009 Toronto International Film Festival. Like many genre films being screened here, it's another fascinating hybrid -- let's call this one vampire sci-fi action adventure.

This Australian horror film (is it something in the water?) was written and directed by brothers Michael and Peter Spierig, the very same filmmakers who closed down the legendary Uptown Theatre in Toronto with "Undead" in 2003. That made this a homecoming of sorts. In fact, it turns out they'd been working on "Daybreakers" since that very day.

It's 2019, and there's been a role reversal -- the world is populated primarily by vampires. Humans are now a hunted minority and an essential food source -- think "Alien" meets "Soylent Green." Charles Bromley (Sam Neill) is the head of a mega-corporation which reaps hefty profits off the "arrangement." Ethan Hawke plays Edward, chief blood researcher. Later, we'll meet outlaw Elvis (Willem Dafoe). His role here becomes more pivotal as the story progresses but I'll leave it at that.

All are up to the task but, despite the presence of veterans Neill, Hawke, and Dafoe, "Daybreakers" is still story-driven and would be less effective if not for an ingenious plot filled with unexpected turns and nonstop action that had me on the edge of my seat, literally. The script is laden with unpredictable twists and shocking reveals that will surprise viewers. Horrific mutant creatures appear out of nowhere with perfect timing.

The brothers Spierig take a thorough hands-on approach, involving themselves in many of the technical aspects along with writing and directing. Ben Nott's sweeping cinematography and crisp editing by Matt Villa helps fulfill their vision of a dark world in which the protagonists are often difficult to identify.

Groundbreaking visual and special effects often elicited cheers from the audience here. I was wide-eyed from start to finish witnessing some of the most jawdropping stunts and shocking "kills" I've seen in a genre film. The color palette is essential to the story as, of course, the undead can only come out at night. Since most shots are necessarily interiors or in darkness, pushing the blue reflects the bleak lighting conditions under which the population lives, as well as the washed-out appearance of what (we imagine) vampires look like. As in most genre movies, sound is as essential to the story as are characters, and composer Christopher Gordon's masterful score matches up with the brilliant work of the effects team to punctuate the many intense action sequences.

Michael and Peter Spierig attended the screening along with Willem Dafoe and Sam Neill. The Q&A ran well into the early morning hours.

(NOTE: "Daybreakers" was the runner-up for the Midnight Madness Cadillac People's Choice Award)

4 years ago

Not the greatest, but still very good

7/10 Daybreakers is about a plague that has transformed most every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind....but you already knew that. Like putting a plastic bag over some one's head, things quickly get violent and out of control.

Special effects: Moderate, not much was needed for the movie. The death of the vampires were a little more violent than usual, however the entertainment behind it balanced it out.

Plot: "Find a cure or we all die" has been used frequently before, and there wasn't much of a twist.

Setting: The setting was a dark futuristic setting, Imagine Las Vegas at night...with all white neon. Perfect setting for this movie. Worth seeing? Yes. Not worth sprinting to the theaters, however it is worth seeing. I'd give it a 7/10.

This movie is such a relief from the romantic necrophilia of the Twilight series. It's good to see scary vampires again.

4 years ago