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Created and Encoded by -- Bokutox -- of www.YIFY-TORRENTS.com. The Best 720p/1080p/3d movies with the lowest file size on the internet.
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lt's 6:42 a.m.
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Beth's Dad's place.
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He's out of town.
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And it's already a good day.
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Breath of fresh air
9/10 It was nice to finally watch movie that didn't seem like anything I'd ever seen before. This, much like Spielberg's "War of the Worlds" and "Children of Men", completely immerses you in this incredible situation with absolutely no knowledge to comfort you. It's very disorienting, which adds to the experience; you never figure out what the hell is going on but you're so into survival that you put it past you. You're placed with a bunch of characters whom you get to know and eventually must join in their frenzied search for a friend while being subjected to some horrifying imagery and new threats.4 years ago
The effects look great and realistic thanks to the hand-held camera, which isn't too bad-looking if you manage to get a seat further from the screen. The filmmakers came up with some really great creature designs that were menacing yet very much original. If you're bound to be upset over seeing a movie with a lack of music, then stay for the credits, during which a fantastic suite of music composed by Michael Giacchino titled "Roar! (Cloverfield Theme)" plays.
All in all, a fantastic time at the movies. A little more background on the monster would be nice, though the absence of this information is intentional. Everyone in the theater was rooting for a sequel; maybe a second set of footage is found elsewhere? Or perhaps there is more the the viral marketing -- what exactly were Slusho and Tagruato? Also be prepared to suspend some disbelief, but considering the movie is about a monster destroying New York City, that shouldn't be too difficult.
9/10 Some people have derisively compared this film to The Blair Witch Project because it was all told from the point of view of someone's shaking camera. Unless you have motion sickness, I don't think that's a bad thing. What matters is who's in front of the camera. While The Blair Witch Project featured annoying people screaming at each other, this movie actually made me care about the characters. In fact if it had continued with the romantic drama tone established during the first half hour, I STILL think it would have been worth watching and that's the biggest compliment I can give it.4 years ago
Of course people will be watching this movie for the visceral pleasure and Colverfield delivers. Many thrilling visual and sound effects wowed me (there were a few times I yelled out in shock at a sudden scare). Any horror film will also benefit from a sense of entrapment and this movie pulls off the seemingly impossible feat of making New York City seem claustrophobic because there was seemingly nowhere to hide from the monster.
What is the monster? Whatever it is clearly is meant to be an allegory for the carnage 9/11 inflicted on New York, much the same way Godzilla was meant to be an allegory for the damage inflicted on Japan by the atom bomb. There are moments seemingly recreating the documentary footage from 9/11, and they give the film verisimilitude. Touching upon real life horror, plus creating characters that we can relate to and care about, and assaulting our senses with incredible sights and sounds leads to entertainment worth watching many times over. Perhaps the 80 minute run time will bother some people, but on the other hand I think that's better than a film wearing out its welcome. Great job J.J. Abrams and company!
sneak peek early screen
8/10 I attended an early screening 1/10/08 at Michigan State University. I've spoilerized in case anyone doesn't want to know anything about the film, but I will try to stay away from anything that'll be too overt.4 years ago
Simply put, the film is an amazingly visceral experience. It's studio logo, production logo, film. No credits whatsoever, which just adds to the overall immediacy of it. If you've been following it to any degree whatsoever, you know that it's shot entirely with hand-held cameras. The characters also run. A lot. So immediately, I think this will be a love hate experience. My own reaction to it was that it again, added to the immersion, and I didn't find it to be really distracting at all. Many people I saw it with said they couldn't even watch the screen at times, so buyer beware. It also will anger those who need all the details, and need to have every loose end tied up (or even a majority of them). The entire film is the tape found after the events of the film are over. That's it. There is no set up, and no hold-your-hand-for-you resolution (or really, much of one at all). It's unconventional, and I enjoyed the ending TREMENDOUSLY. I definitely have to applaud the decision to not simply make a cookie cutter action film that is easy to watch. I think it will be interesting to watch how it does at the box office though.
After that...I feel like there isn't much that can be said about the acting, and that should be a credit to it. It absolutely feels like you are experiencing this with the characters, who feel more or less exactly like real people. After leaving the theater I was on edge for a good deal of time, as I tried to shake that level of immersion. The film is also surprisingly humorous, and I would say that our crowd laughed more than they screamed (although the screams were definitely there).
Cloverfield definitely will not be everybody's cup of tea, but if you're already excited about it, I have no doubt that you'll be satisfied. It was a relatively unique experience, and again I want to applaud the decision to make it in that manner.
Definitely recommended: 8/10
1/10 I will admit, the marketing scheme behind this awfulness was clever. I mean, I like a good thrill ride monster movie. The Creature From the Black Lagoon piqued my curiosity as a youngster as I marveled at the brilliance of trying to understand something that has no explanation. However, it's hard to have this curiosity, no matter how intriguing the monster is, when the script is so tired its in a coma.4 years ago
Yes, the monster is cool. No, the stupid hand-held camera gimmick didn't bother me. Yes, the special effects are great and at times I did find myself in awe of the spectacle on the screen as it does seem real, but the movie itself is so, so, so dumb. At any moment I felt comfortable to leave to use the restroom as I knew exactly what I was going to miss. The plot was a paint by numbers and I would have loved even a touch of Bob Ross to fill the blanks, but no originality whatsoever.
First they steal the overdone Hollywood bit about love. "Dude, if you love her, tell her." Response: "I can't tell her, unless a mutant alien/ocean creature tries to expunge the city, only then will I try and make my move." Why have this? Why not make the story the monster? Really, who cares about these characters? Who cares about Rob's job in Japan? It's flimsy? Why have it? The beginning clearly leads on that the camera is found, which means they all die. Standard operation of introducing characters that we shouldn't care about.
Second, they decide to steal a scene from a much better monster movie The Descent. "Let's try night vision on the camera." And this is in no way as scary as the movie that did it better. The Descent works better in every faction of story telling. It forces claustrophobia as it whispers the insanity and the entire film works as a metaphor for diving deep into the darkness of one's existence and summoning demons, ones we can't see coming (which is why I think those monsters were blind). Cloverfield does none of this. It's a, where can we run to next? saga. A 'B' movie. A well shot 'B' movie.
Third we have the comic relief one liner guy holding the camera. But in true fashion of a bad movie, he's not funny, just annoying. A few people in my viewing clapped when he was eaten. I love LOST. I think it's the best show on TV, but the writer here has proved that being a great psychological writer for the little screen does not translate to comedy. Bad Robot productions should hire one guy with a sense of humor. They may need him at some point. Hud's pinnacle of wit was "That's terrible" when he gets a good shot of the monster. Followed closely by, "That's terrible too" when we see when of its young-lings a few seconds later. Brilliant... improv? I can only guess the script consisted of locations and not so much dialogue since this boner had most of the words in the movie, words that seemed spontaneously driven from someone wait listed at community college. Horrible. I'm surprised he didn't utter, "That's terrible cubed" before he was engorged upon. Stupid, stupid, stupid.
Fourth, we have the killer/villain/monster has one last leap. Yes, we knew the helicopter was going down since they find the camera in Central Park. "We killed him" Hud proclaims, just before the monster elevates and slaps the helicopter to the ground. This is scary, why? Oh, it's not scary, and I find the idea of a thing like this really existing more logical than any of those bozos surviving the crash in the park.
Fifth, they've stolen from every Stephen King novel ever, because King should always have chapters taken out, and this movie should have been an hour long. Do we really need to see them walk up 57 flights of stairs and then back down and then bank up and then and then and then and then.... yes we do. Otherwise they don't have enough for a feature length movie. So trite and boring and not fascinating. Which is why the gimmick of a hand held camera was needed. Otherwise, they may actually need to give the characters some arc, have some purposeful shots of the monster, maybe create a reason for what it is and why it's there and, uh-oh, give it some originality. For anyone who thinks this movie is original it is probably because you are under 24 and either naive to creativity or just haven't seen any worthwhile movies. I wanted to like this I did, I really did. It just wasn't good. I can respect it, as I respect all movies that are made. It was well crafted and edited and the effects were amazing, but so what? All movies now have great effects. The Fantastic Four movies are not good, but their effects rock. War of the Worlds was awful, but I thought those things really came out of the ground. Effects and production don't make a movie. Not anymore. T-2, Jurassic Park, Men in Black, those movies were pioneers to FX being a character along with brilliant film-making. Now it is expected. Since it is expected there, I expect more from the story. This isn't it. If I were trapped in hell and I had a choice to watch either Cloverfiled or One Miss Call over and over, I'd pick One Miss Call. At least its badness is funny, which gives it some merit. Cloverfield is just bad. Textook, trite, cliched, not smart, overdone, not scary, bad. Not as bad as Mission Impossible 2, but pretty darn close.
After all someone might say it's a love story....
9/10 I have to say that I haven't had so much fun in a movie theater in such a long time. Cloverfield brought back a sense of excitement and delight for me.4 years ago
The movie draws you in, makes you a part of the experience. It succeeds primarily because of two things; what you see and what you hear.
The movie does not have a major actor stealing the screen. Everyone is treaded just about equal. As the viewer you feel you are with the group as you are seeing the movie from the first person view. You feel connected to the characters as you understand that because of their loss, they have to set something right and not escape from the city. The movie draws you in and you feel like you are a part of the action.
There is no music. Ambient sounds such as creeks and thumps don't distract you from looking at all the finer details. You stay focused on what's important and constantly entertained.
One thing you must remember going into this movie. Remember the first 10 seconds of the movie (the stuff that comes right after the Star Trek teaser). If you keep that in mind everything will make sense and make the movie more pleasurable.